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While you still can
I couldn’t figure it out at first. Let’s just say I wasn’t paying close attention; it’s better than saying I was slow on the uptake.
The 30-second television commercial featured a man—who could have been the Most Interesting Man in the Word if it were a beer commercial—apparently driving a sporty red 2017 Lexus IS at a furious clip across some suitably hilly, twisty, isolated terrain, and having the sensory time of his life. Ho hum, I thought; another high-end car commercial. But something bothered me about the ad. The next time I saw it, I paid a little more attention, and saw that it in fact featured two men—a youngish person and an older person. But I felt I was still missing the message. So I called it up on YouTube and watched it several times. After a few re-tries, it finally made sense to me.
Here’s what I concluded. The younger person is one and the same as the older person. The commercial takes place both in the present and in the future. The driver of the Lexus is in fact the younger man. The older man is not driving: he is a passenger in a self-driving vehicle heading into a futuristic cityscape, who is ruefully remembering what it was like when he was younger and you got to drive your own car. Once I grasped the plot, the accompanying voiceover made sense. “How do I explain it … It was exhilarating, nimble, responding to my every touch … Moving faster than the wind …That feeling of pure driving … It was amazing.” Note the use of the past tense. The commercial ends with the tag “Enjoy the thrill of driving while you still can.”
The admonition to enjoy the thrill of driving is not unique; it’s the “while you still can” part that leaves the lingering impression. To buy a Lexus in the first place, you presumably want to say to the world that you have succeeded and have some excess cash; otherwise, you would be content with a Toyota. To buy a drive-it-yourself Lexus now, knowing it is shortly to be eclipsed by a self-driving model, is to offer further public testament to your willingness both to tolerate the rapid depreciation of your asset and to be seen as an unbridled sensualist.
Boil the message down, it becomes “indulge now, before the pleasure is lost.” Will the purveyors of other products now come at us in the same manner? I can just imagine the pitches: “Bacon: eat it before it becomes illegal!”; “Marijuana: smoke it before it becomes legal!”; “Engaged: visit Las Vegas while you’re still single!”; “Sin: do it before you’re forgiven!” I can’t quite put my finger on what’s amiss, but it sounds a little sleazy.
And maybe the future won’t be as dreary as Lexus implies it might be. Thrill-seeking is unlikely to be extinguished by the advent of the self-driving car; it will just find some other way to express itself. Maybe dodge’em cars from fairgrounds will suddenly become popular again. Maybe self-driving cars will be programmed to play games of chicken against one another, with passengers inside. Maybe virtual reality tools will replicate the thrill you get when you drive a brand new Lexus IS at a furious clip across some suitably hilly, twisty, isolated terrain while being filmed for a commercial.
I’ve learned two lessons from this experience. Number one: it’s possible, assuming you have the budget and a patient enough audience, to tell a complex story with a clear take-away message in just 30 seconds. If we had access a century ago to the commercial-creating resources we have today, people might have fallen for a pitch to buy horses for the thrill of riding in the saddle as the automobile was hitting the market. And number two: I am going to start watching commercials a little more carefully. There are obviously things that have been passing me by. Next time I see that commercial for Gorilla Glue, I’ll look more carefully for the nuance.
Following last week’s editorial announcement of a changing of the guard, I compliment our long-term proprietors Rick Conroy and Kathleen Sabyan on a job taken seriously and done well. It’s grinding work to put out a newspaper every week, especially when you are trying to raise four children and run a boarding house. It’s also hard to take editorial stands when you have to live among the people at whose performance you may be taking potshots. You are respected because you have been unstinting, well-informed and principled. You have earned a respite. I look forward to working under new publisher Corey Engelsdorfer and new editor Mihal Zada. They have been at this a while, and they know what they are doing.
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